Vassily Igorevich Nesterenko, People’s Artist of the Russian Federation. Source: Press Photo
Mikhail Yuryevich Lermontov, the Renaissance man, was celebrated this month, lauded not only as a poet and novelist, but also as a skilled painter, a visionary, and even a prophet. Born in 1814 and killed in a duel in 1841, Lermontov was not only recognized for his talents in his lifetime, but the strength of his work as a Romantic poet and amateur painter resulted in a legacy lasting 200 years after his birth.
The American-Russian Cultural Cooperation Foundation (ARCCF) hosted an evening at the Library of Congress in the author’s honor. ARCCF executive director, Alexander Potemkin, emphasized a point that would be repeated throughout the evening that sharing of cultural values such as literature often acts as the “first signal of warmer times.” Cultural diplomacy was one of many factors that helped end the Cold War, said Potemkin, the last cultural attaché in the Soviet Embassy and the first cultural attaché under the new Russian Federation.
|Mikhail Yuryevich Lermontov, the Renaissance man, was celebrated this
month. Source: Press Photo|
Lermontov’s bicentennial was a long awaited celebration, said Potemkin. He explained that exactly one hundred years after Lermontov’s death, Russia tried to celebrate this anniversary, but World War I started. A celebration was also thwarted 125 years after the author’s death when Russia was fighting World War II.
Dr. James Billington, the Librarian of Congress — who is tasked with appointing the U.S. Poet Laureate — said it was an honor to celebrate another great poet. Billington, who is also a well-known Russian scholar, spoke about the “amazing richness” in Lermontov’s poetry, which is “rhythmic in form and biting in content.”
Sergei Kislyak, ambassador of the Russian Federation to the United States, said that after “focusing more on things happening in our world, I came into this room feeling a breath of fresh air.”
The ambassador pointed out what a significant contribution the 26-year-old author had on Russian culture, literature, art and cinema and expressed his hopes for the upcoming cohort of Russian and American scholars.
“It’s important that the young generation of Russians and Americans know more of each others’ culture and history, and when they are running the government, they will be doing a little better with Russian and American relations.”
During his life, Lermontov’s writing was so powerful and his voice so influential that his poem about the death of Pushkin (which placed the blame on the state for the poet’s death) led to his first exile in the Caucusas. His words still hold sway over audiences today.
Known best for his novel “Hero of Our Time” and for poems such as “Death of a Poet and The Sails,” Lermontov was a multifaceted artist. To celebrate his diverse talents, a wide variety of mediums were used to honor the author. Part of the opera based on Lermontov’s poem “The Demon” was performed, along with musical renditions of several poems sung by countertenor, Terry Barber.
Vassily Nesterenko spoke about the two portraits he painted and displayed for the event: one of Lermontov and one of James Fenimore Cooper, whose books about the American frontier were often a source of literary inspiration for Lermontov.
Nesterenko spoke about Lermontov’s natural talent as a painter. Had he not died so young or focused so much on writing, Nesterenko believed that Lermontov could have gained great fame with his art alone.
Placing additional emphasis on the role of literature in bringing cultures together, Mikhail Yuryevich Lermontov, a 6th generation direct descendent, said through a translator, “we see how the struggle over different interests divides human beings… And today, only in shared values can we find common interests in the words of [Lermontov] that will let us overcome our differences.”
The living Lermontov wore a Scottish tartan scarf, representing his family’s heritage before they were Russian nobles. Dr. Nikolai Zlobin, author of the book America – What a Life and founder of the think tank, Center on Global Interests, pointed out that not very many people are aware of Lermontov’s connection to Scotland.
“Lots of people in Russia think it is good to isolate Russian culture from outside influence,” he said. But many, if not most, great Russian writers did allow themselves to be positively influenced by other cultures, including Pushkin and Lermontov. Zlobin continued: “This event should show that a mix of culture and heritage is the best way to go.”
Potemkin added that one hundred and fifty years after the poet’s death (1964), Khrushchev stepped down, and now 200 years later when relations between Russia and America are tenuous, Potemkin was worried that once again something would inhibit the celebration.
He sees the event as a significant victory and added “I hope the great poet hears it somewhere upstairs that his anniversary was celebrated with American friends.”
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