The 2015 Cultural review

Zefira Tregulova. Source: Oleg Gritsaenko /

Zefira Tregulova. Source: Oleg Gritsaenko /

The year was one of mixed fortunes for cultural events in Russia, with successes in literature, art and ballet offset by the growing interference of the Orthodox Church in the cultural sphere. RIR looks back at important events of Russia’s cultural life in 2015 that had an international impact.

1. Reset at the Tretyakov Gallery

A new director, Zelfira Tregulova, was appointed in February to head the Tretyakov Gallery in Moscow, the country’s major repository of Russian art. The Culture Ministry hopes that Tregulova, an international curator famous for exhibitions of Russian art held in Rome, London and New York, and former deputy head of the Kremlin Museums, will be able to promote Russian art abroad. The new head also faces the task of suitably refurbishing the gallery’s buildings and expositions.

2. The Tannhauser controversy

Richard Wagner's opera 'Tannhauser' on the stage of the Novosibirsk State Opera and Ballet Theatre. Source: Alexander Kryazhev / RIA Novosti

After a complaint from Metropolitan Tikhon of Novosibirsk and Berdsk last winter, administrative action was initiated against Boris Mezdrich, director and manager of the Novosibirsk Opera and Ballet Theatrer, for the “deliberate public desecration of religious objects.” The theatre staged Wagner’s opera ‘Tannhauser’ in December 2014. In the version of the opera staged by director Timofey Kulyabin, the action is set in the present day, with Jesus a character in an erotic film being made by the knight Tannhauser.

Following the complaint by the Orthodox Church, the Russian Culture Ministry removed the production from the theatre’s repertoire and sacked both the director and the manager. The scandal rumbled on through the year, with critics describing the action as “censorship in art.”

3. Starchitects in Moscow

Italian architect Renzo Piano. Source: Reuters

Three winners of the Pritzker Architecture Prize left a mark in Moscow this year, with two buildings and one project. In the summer, Rem Koolhaas opened the new building of the Garage Museum of Contemporary Art (having refurbished a former Soviet-era restaurant). In the fall, a business centre designed by Zaha Hadid finally opened its doors 10 years after construction began. Another project; to refurbish the GES-2 power plant in Moscow; will be carried out by Renzo Piano. He has been invited by Russian billionaire Leonid Mikhelson, who plans to convert the plant into an arts centre by the end of 2018.

4. Hero of the Bolshoi

'Hero of Our Time'. Source: Press photo

The ballet Hero of Our Time, which premiered at the Bolshoi Theatre on July 22, is a reminder of the kind of production the storied theatre symbolized for the world for many decades: long ballet sequences divided into many acts and a serious literary story line, complicated plot, exclusive music, compound decorations and hundreds of costumes. 

Hero of Our Time meets all these criteria and revives these traditions. The ballet was composed on the 200th birth anniversary of Mikhail Lermontov, author of the novel ‘Hero of our Time.’ The ballet recreates one of the best-loved Russian novels through choreography.

The score for the ballet was composed by Ilya Demutsky, who is under 30, while Russian drama star Kirill Serebrennikov worked on the libretto. Yuri Possokhov, who has staged Cinderella at the Bolshoi, as well as several performances for the San Francisco Ballet and many other companies, was appointed as the choreographer.

5. Nobel Prize for Literature returns to the Russian world

Svetlana Alexievich. Source: Reuters

After a 28-year interval, the Nobel Prize in Literature was awarded to a Russian-language author, writer and journalist Svetlana Alexievich, the author of documentary fiction War’s Unwomanly FaceEnchanted with Death, and Chernobyl Prayer.

Technically, Alexievich is a Belarusian citizen but ever since Soviet times she has been writing in Russia and this is where her works have always been published. All her books are based on journalistic investigations and interviews with eyewitnesses of various tragic events in history. Thus, her Nobel Prize success has raised another important question in modern literature, that of the line between journalism and fiction.

6. Avant-garde anniversary

The original Black Square (1915) today hangs in the Tretyakov Gallery in Moscow on Krymsky Val. Source: RIA Novosti / Yuriy Somov

Large-scale exhibitions of Russian avant-garde art have been traveling around the world for the past couple of years, yet a formal cause for celebrating the centenary of the movement came in the summer. On Jun. 21, 1915, Kazimir Malevich created his famous Black Square, which became a global symbol of suprematism and avant-garde art. The Basel-based Fondation Beyeler even recreated the legendary Last Futurist Exhibition 0.10 at which Black Square was first shown to the public.

7. New classics

The International Tchaikovsky Competition is held once every four years. Source: Vladimir Vyatkin/Ria Novosti

In the summer, Moscow and St. Petersburg hosted the 15th International Tchaikovsky Competition, which in the 60 years since its inception has become one of the most respected classical music competitions and has launched the careers of many world-class performers.

This year’s favorites included tenor from Mongolia Ariunbaatar Ganbaatar, South Korean tenor Myonghyun Lee, and pianists Lucas Debargue from France and Dmitry Masleyev from Russia.

8. Theatrical exchange

'Idiots' Kirill Serebrennikov. Source: Press photo

Since the “Russian seasons” of 1997, Russian drama directors have been conspicuous by their absence from the program of the main event on the theater calendar, the Avignon Festival. Until this summer, when the artistic director of the Moscow-based Gogol Center, Kirill Serebrennikov, was invited to present his production of Idiots, inspired by the Lars von Trier film of the same name.

For its part, Moscow welcomed the theater legend Robert Wilson, who staged Pushkin’s Fairy Tales at the Theater of Nations, described by critics as “the production of the year” in Russia.

All rights reserved by Rossiyskaya Gazeta.

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