How a paralyzed artist created iconic images of 19th century Russian life

Self-portrait, 1912

Uffizi Gallery

Boris Kustodiev began his career as a portraitist. He studied at the St. Petersburg Academy of Art with the famous artist, Ilya Repin, and even helped him in his monumental painting, “Ceremonial Sitting of the State Council on 7 May 1901: Marking the Centenary of its Foundation.”

Maslenitsa (Pancake Tuesday),1916

Private collection

The young Kustodiev, however, suddenly turned to genre painting and moved to the city of Kostroma on the Volga River looking for authentic Russian characters and images. There he found something that later became the main themes in his art: scenes of merchant life, women in colorful dresses and folk life.

Zhupel of Revolution, 1906

Vampire magazine

For some time he even worked at several magazines of political caricature. His 1906 drawing, “Zhupel (Bugbear)of Revolution,” shows a giant red skeleton walking across the city and stepping on houses and corpses. This image reflects Kustodiev’s opinion about Russia’s first revolution.

A Merchant's Wife's Teatime, 1918

State Russian Museum

Kustodiev was critically acclaimed and his services were in demand. Once he was even chosen over Valentin Serov and offered the position of portrait teacher at the Moscow School of Painting, Sculpture and Architecture. He turned down the offer, however, because he didn’t want anything to intefere with his painting.

Fair, 1910

The A. N. Radishchev Museum of Arts

Together with Roerich, Bakst, Benoir, Levitan and many others, Kustodiev was a member of the Mir Iskusstva (World of Art) art movement that’s famous for production of Sergei Diaghilev's Ballets Russes. These artists looked to ancient Russian culture for inspiration.

Sketch design for Rimsky-Korsakov’s opera 'The Tsar's Bride,' 1920

Samara Art Museum

Before Mir Iskusstva, all the theaters had standard decorations and costumes for each performance, and changing them depended on the topic. Together with the others in the Mir Iskusstva movement, Kustodiev worked on unique theater design for each performance. He created stage decorations and costume designs for modernist performances such as Rimsky-Korsakov’s operas, The Tsar's Bride and The Snow Maiden, and for several of Alexander Ostrovsky's plays.

Tsar Nicholas II, 1915

State Russian Museum

The bright genre of Kustodiev’s art shows provincial Russian life as a fairy tale. Interestingly, his first attempts in this genre were made when drawing portraits, such as that of the famous singer Feodor Chaliapin, and Tsar Nicholas II, as well as self-portraits.

Promenade Along the Volga, 1909

State Russian Museum

Kustodiev’s book illustrations for classical literature are also significant. He worked in graphics and lithography to illustrate stories by Nikolai Gogol, Mikhail Lermontov, Leo Tolstoy, Nikolai Leskov and others.

Beauty, 1915

State Tretyakov Gallery

In 1909 the artist began to suffer a tumor in his spinal cord, and despite several surgeries he ended up being confined to a wheelchair for the rest of his life. Still, for those remaining 15 years Kustodiev continued to paint, and his most colorful and inspiring works date to these years.

Bolshevik, 1920

State Tretyakov Gallery

Sitting at home paralyzed, Kustodiev never witnessed the revolutionary events of 1917, and in 1920 he made his famous painting, “Bolshevik.” This was his reaction and interpretation of the Revolution. The image of a massive proletarian leading the people with a red flag is ambiguous, however. While the fledgling Soviet government saw it as an affirmation of their ideology, it seems that there is a strong similarity with the skeleton from Zhupel.

Quiz: Can you recognize the harsh social commentary in these 19th century Russian paintings?

If using any of Russia Beyond's content, partly or in full, always provide an active hyperlink to the original material.